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Bright, Terry. “Soviet Crusade against Pop.” Popular Music 5 (1985): 123–48.

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Brown, Timothy S. “Music as a Weapon? ‘Ton Steine Scherben’ and the Politics of Rock in Cold War Berlin.” German Studies Review 32, no. 1 (2009): 1–22.

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———. “The Vietnam War and American Music.” Social Text, no. 23 (1989): 122–43. 

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———. “Music in War, Music for Peace: A Review Article.” Ethnomusicology 55, no. 1 (2011): 112–27.

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———. “‘The Day Nobody Died’, War Photography, and the Violence of the Image.” RACAR: Revue d’art Canadienne / Canadian Art Review 39, no. 2 (2014): 88–99.

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Jakob, Joey Brooke. “Beyond Abu Ghraib: War Trophy Photography and Commemorative Violence.” Media, War & Conflict 10, no. 1 (2017): 87–104.

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Kennedy, Liam. “Soldier Photography: Visualising the War in Iraq.” Review of International Studies 35, no. 4 (2009): 817–33.

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Lee, Jung Joon. “No End to the Image War: Photography and the Contentious Memories of the Korean War.” The Journal of Korean Studies (1979-) 18, no. 2 (2013): 337–70.

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Lubow, Arthur. “Has War Changed, or Only War Photography?” The New York Times, October 13, 2022, sec. Arts. 

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McLaughlin, Greg. “From Luckless Tribe to Wireless Tribe: The Impact of Media Technologies on War Reporting.” In The War Correspondent, 63–90. Pluto Press, 2016.

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Nguyen, Viet Thanh. “Just Memory: War and the Ethics of Remembrance.” American Literary History 25, no. 1 (2013): 144–63.

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Payne, Carol, and Laura Brandon. “Guest Editors’ Introduction: Photography at War.” RACAR: Revue d’art Canadienne / Canadian Art Review 39, no. 2 (2014): 1–6.

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———. “Guest Editors’ Introduction: Photography at War.” RACAR: Revue d’art Canadienne / Canadian Art Review 39, no. 2 (2014): 1–6.

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———. “The Photography of Conflict.” Aperture, no. 97 (1984): 22–27.

“The Girl in the Photograph: The Vietnam War and the Making of National Memory on JSTOR,” February 6, 2023. 

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“‘Truthful as the Record of Heaven’ The Battle of Antietam and the Birth of Photojournalism on JSTOR,” February 6, 2023. 

Music for this episode was composed by Damascus Kafumbe for the Davis Collaborative in Conflict Transformation at Middlebury College.

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———. “The Remembering of Forgetting: Recovered Memory and the Question of Experience.” Social Text, no. 57 (1998): 103–25.

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———. “The Wall, the Screen, and the Image: The Vietnam Veterans Memorial.” Representations, no. 35 (1991): 118–42. 

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Brenner, Lexa. “The Bansky Effect: Revolutionizing Humanitarian Protest Art.” Harvard International Review 40, no. 2 (2019): 34–37.

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Brewer, Devon D. “Hip Hop Graffiti Writers’ Evaluations of Strategies to Control Illegal Graffiti.” Human Organization 51, no. 2 (1992): 188–96.

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Campos, Ricardo. “Youth, Graffiti, and the Aestheticization of Transgression.” Social Analysis: The International Journal of Social and Cultural Practice 59, no. 3 (2015): 17–40.

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Chackal, Tony. “Of Materiality and Meaning: The Illegality Condition in Street Art.” The Journal of Aesthetics and Art Criticism 74, no. 4 (2016): 359–70.

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Cowick, Carmen. “Preserving Street Art: Uncovering the Challenges and Obstacles.” Art Documentation: Journal of the Art Libraries Society of North America 34, no. 1 (2015): 29–44.

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Goalwin, Gregory. “The Art of War: Instability, Insecurity, and Ideological Imagery in Northern Ireland’s Political Murals, 1979–1998.” International Journal of Politics, Culture, and Society 26, no. 3 (2013): 189–215.

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Gopnik, Blake. “REVOLUTION IN A CAN: Graffiti Is as American as Apple Pie, but Much Easier to Export.” Foreign Policy, no. 189 (2011): 92–93.

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Khosravi, Shahram. “Graffiti in Tehran.” Anthropology Now 5, no. 1 (2013): 1–17.

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Lachmann, Richard. “Graffiti as Career and Ideology.” American Journal of Sociology 94, no. 2 (1988): 229–50.

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Larkin, Craig. “Jerusalem’s Separation Wall and Global Message Board: Graffiti, Murals, and the Art of Sumud.” The Arab Studies Journal 22, no. 1 (2014): 134–69.

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Loeffler, Silvia. “Urban Warriors.” Irish Arts Review (2002-) 29, no. 1 (2012): 70–75.

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Marche, Guillaume. “Expressivism and Resistance: Graffiti as an Infrapolitical Form of Protest against the War on Terror.” Revue Française d’études Américaines, no. 131 (2012): 78–96.

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Mitchell, W. J. T. “Image, Space, Revolution: The Arts of Occupation.” Critical Inquiry 39, no. 1 (2012): 8–32.

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Patel, Samir S. “Writing on the Wall.” Archaeology 60, no. 4 (2007): 50–53.

Peteet, Julie. “The Writing on the Walls: The Graffiti of the Intifada.” Cultural Anthropology 11, no. 2 (1996): 139–59.

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Qualey, M. Lynx, Lilas Taha, Susan Abulhawa, Susan Darra, and Alexandra Chreiteh. “Constructing Identity Up Against a Wall.” The Women’s Review of Books 33, no. 4 (2016): 26–27.

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Riggle, Nicholas Alden. “Street Art: The Transfiguration of the Commonplaces.” The Journal of Aesthetics and Art Criticism 68, no. 3 (2010): 243–57.

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Salib, Peter N. “The Law of Banksy: Who Owns Street Art?” The University of Chicago Law Review 82, no. 4 (2015): 2293–2328.

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Salih, Ruba, and Sophie Richter-Devroe. “Cultures of Resistance in Palestine and Beyond: On the Politics of Art, Aesthetics, and Affect.” The Arab Studies Journal 22, no. 1 (2014): 8–27.

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Salopek, Paul. “CONFLICT GRAFFITI: The Art of War.” Foreign Policy, no. 189 (2011): 94–95.

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Sansur, Rasha. “Painting Emotions: The West Bank Separation Wall as an Evocative Object and Graffiti as a Meaning-Making Process.” Material Culture 49, no. 2 (2017): 1–23.

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Stevis-Gridneff, Matina, Jim Tankersley, and Alan Rappeport. “Russia-Ukraine War: E.U. Agrees to a Price Cap for Sale of Russian Oil.” The New York Times, December 2, 2022, sec. World. 

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Tellidis, Ioannis, and Anna Glomm. “Street Art as Everyday Counterterrorism? The Norwegian Art Community’s Reaction to the 22 July 2011 Attacks.” Cooperation and Conflict 54, no. 2 (2019): 191–210.